Palamedes Sextus (
hellonspectacles) wrote2021-05-29 06:53 pm
Entry tags:
Dear Mr. Postman...
It’s not that Palamedes means to ignore the messages from Marianne. The day following Harrow’s arrival, his head feels fit to split open, and when he glances at his phone periodically to make sure that Gideon hasn’t sent him a frantic messages, he notes the usual texts from Marianne with a smile, and vows, quite sensibly, to write her back when he can see straight. But he ends up spending most of the next day with the Ninth, arguing with Harrow over this theory and that, only realizing when it has gotten quite late that he has again forgotten.
And then Camilla appears in Darrow, an event that had seemed so astronomically unlikely that he had tried with every fiber of his being not to hope for it, and he is swept up in the miracle of it. The pair talk into the night until their throats are hoarse, they spend days poring over all the evidence Pal has collected about Darrow, sometimes with Harrow and Gideon, sometimes on their own. His promise to return Marianne’s missives becomes more and more distant.
It’s Thursday, and Palamedes is alone while Cam goes for a run—still half-terrified to let her out of his sight, he’d offered to go with her, and she had just looked at him—when his phone buzzes. It’s only a reminder that he has books due at the library, but it makes him realize, to his horror, that he had never replied to Marianne. Without quite knowing why, his stomach twists at the thought that she might be angry at him.
He opens their text chain and writes,
Marianne,
I hope you will accept my most sincere apology. I fear that, in my unconscionable silence, I have revealed something that I have attempted to keep from you: necromantic powers alone are not enough to keep me from being a complete jackass from time to time. My week has been unexpectedly eventful—please understand that this is an explanation, not an excuse.
In answer to your earlier messages: I like the first sunglasses best, I wasn’t free for coffee on Friday (explanation forthcoming), and Orlando was really quite remarkable.
Are you free for lunch this weekend? I would like to apologize in person.
Palamedes Sextus, Master Warden of Dunces, etc.
And then Camilla appears in Darrow, an event that had seemed so astronomically unlikely that he had tried with every fiber of his being not to hope for it, and he is swept up in the miracle of it. The pair talk into the night until their throats are hoarse, they spend days poring over all the evidence Pal has collected about Darrow, sometimes with Harrow and Gideon, sometimes on their own. His promise to return Marianne’s missives becomes more and more distant.
It’s Thursday, and Palamedes is alone while Cam goes for a run—still half-terrified to let her out of his sight, he’d offered to go with her, and she had just looked at him—when his phone buzzes. It’s only a reminder that he has books due at the library, but it makes him realize, to his horror, that he had never replied to Marianne. Without quite knowing why, his stomach twists at the thought that she might be angry at him.
He opens their text chain and writes,
Marianne,
I hope you will accept my most sincere apology. I fear that, in my unconscionable silence, I have revealed something that I have attempted to keep from you: necromantic powers alone are not enough to keep me from being a complete jackass from time to time. My week has been unexpectedly eventful—please understand that this is an explanation, not an excuse.
In answer to your earlier messages: I like the first sunglasses best, I wasn’t free for coffee on Friday (explanation forthcoming), and Orlando was really quite remarkable.
Are you free for lunch this weekend? I would like to apologize in person.
Palamedes Sextus, Master Warden of Dunces, etc.

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"Maybe next time you could remember that, yeah," she says, smiling at him. The way he talks about Harrow, there's obvious affection there. It lights him up the way things do, sometimes, the grey of his eyes bright behind his glasses. "And she's another necromancer?"
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She knows about the houses - Pal has given her a rough overview, and she knows that his house, the Sixth, is all about study and truth. He'd probably have fitted into some circles at Trinity.
"Which house would I be best suited to, do you think? Where can you see me?"
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He considers the question, though in all honesty, the answer is fairly easy. "The Seventh," he says. "You're thoughtful. You're inspired by beautiful things. You appreciate excess, but you want it to have meaning. And Ireland is known for its experimental literature, isn't it? That's very Seventh." Pal's smile is a little shy. He feels like he's read her fortune and isn't sure how she'll take it. "Does that sound fair?"
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She's not sure she's ever seen a smile quite like that on his face before; she tries really hard not to be intensely endeared.
"I think that sounds fair," she says, with a faint smile. "Do I take it as a compliment?"
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"I'm always suspicious of people who tell the truth no matter what," says Marianne. She doesn't comment on the blush, but that doesn't mean she doesn't notice it. "What about when it hurts people's feelings?"
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Marianne almost asks him - almost asks what the real truth is with them, where she fits in now Cam is here but, instead, she picks up her wine glass and takes a sip.
"You make it sound noble when you put it like that," says Marianne. "Maybe I just don't have enough experience with the real truth."
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Marianne looks like she's about to say something but the waiter brings their food and she swallows it back instead. She nods her thanks.
"Maybe you're right," she says. "Maybe I will keep looking."
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"Are you offering to be my wingman?" she asks, both eyebrows raised, hoping that she's managed to keep the sting of it off her face. "Think you've got what it takes?"
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Marianne has never been afraid of the truth but, usually, she's wielded it like a weapon - to sting, to get reactions. She takes a bite of her food, chewing meditatively for a moment.
"I don't think you'd want to be my friend if you knew the whole true everything," she says.
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He sets down his mug and props his chin on his hands. "But like I said, 'truth over solace in lies' isn't about spilling your guts if don't want to. It's a philosophy, and like all philosophies, it's much neater in theory than in practice. Hell, there's things I haven't told you about myself because I worry what you'd think." He makes this confession straightforwardly enough, those it causes him to flush faintly. While he's sure Marianne has figured out that something terrible happened to him immediately before he arrived in Darrow, he has never laid it all out in any kind of detail.
"But I'm here to listen to any truths you wish to share about yourself, if that is what you'd like."
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Marianne does give that some thought, reaching for her wine glass before she shakes her head.
"Maybe one day," she says. "We can swap and see if it makes a difference."
It's a thing, to be looked at like that by him, to be really scrutinised. There's something about the clear grey of his eyes that reminds her of the way the sea sometimes looked in Sligo. It makes her homesick in the same breath as she finds it faintly comforting.
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"I'd be breaking the habit of a lifetime for you," she says, smiling against the rim of her wine glass before she takes another sip. "I've always avoided telling anyone the whole truth, but especially men."
That's not quite true though, is it? Nobody knows her as nakedly as Connell, but look how much that had hurt her.
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He takes a bite of his sandwich and chews thoughtfully. “Men particularly? I assume these are the same men guilty of all that ghosting?”
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Marianne nods, chewing a bite of her own food, her free hand shielding her mouth.
"I don't have a great track record," she admits.
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Palamedes isn't naive; he knows there are plenty of awful people in the world, and that some people bring out the worst in each other, regardless of what they're like otherwise. But what Marianne describes sounds so lonely, and he hates to think of her like that.
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He always does this - compliments her like he's telling her the time, or offering her more tea - and, honestly, Marianne never knows what to do with it. He says it with such certainty, but then, in the next moment, he'll be talking about helping her find someone better, and she's sure that she's never met anyone as deeply fucking confusing. She takes a deep breath and lets it out slowly.
"I had some good friends in Dublin, yeah. And I've got people here. A few, anyway. You. Sam. Laura."
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"I think I'm finally figuring that out, yes," says Marianne, swirlin what's left of her wine around her glass and watching him for a moment. "You've got lovely eyes. I bet you hear that all the time."
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